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Dec 19 2018

‘Constellations Sunflower I’ by Christine Nguyen acquired by J. Paul Getty Museum

Constellations Sunflower, a cyanotype print by Christine Nguyen, has been acquired by the J. Paul Getty Museum’s Department of Photographs Collection.

Born in California, the daughter of immigrants from Vietnam, Christine Nguyen grew up exploring what her father, a commercial fisherman, would bring home from the sea. Fostering an interest in the natural world around her, these childhood rambles through the ocean’s offerings may have built the foundation for her later artistic practice, which much like life in the sea, thrives on salt. When drawing, salt crystals and spray paint are layered onto her cyanotypes.(The process) further inform us on how different versions of existence can merge into one: the landscape of a subterranean world, alien architecture or mountain range stands in the foreground, silhouetted against what could be the saturated colors of an imagined sunset filled with plant-like heavenly bodies.

Christine Nguyen, Constellations Sunflower I, 2017, cyanotype on watercolor paper, 137.16 x 129.54 cm

http://www.getty.edu/museum/

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Dec 05 2018

Ha Manh Thang at Vincom Center for Contemporary Art, Hanoi, Vietnam: December 14, 2018 – February 10, 2019

Ha Manh Thang is presenting new work in a solo exhibition titled Ellipses at the Vincom Center for Contemporary Art in Hanoi. A continuation of the ongoing project The Circle of Time, Ellipses reflects Thang’s poetic contemplations of time, space and light. Influenced by the poetry of Li Bai and Du Fu, Thang seeks within these ancient words a sense of fading lights, of passing moments, and the romantic temperament of serious souls moved by a few seconds of a season. His paintings evoke moments of mourning, of grief and of the passing of time: a cyclical process from dark to light, from light to dark, from clarity to obscurity and back again.

http://vccavietnam.com/vcca-tran-trong-gioi-thieu-hai-trien-lam-moi-quotxe-dap-oiquot

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Nov 15 2018

The Propeller Group at The Luckman Gallery, Los Angeles, CA, USA: December 1, 2018 – March 9, 2019

The Propeller Group will present their latest works in an eponymous exhibition at The Luckman Gallery, Los Angeles.

This exhibition, The Propeller Group’s first in Los Angeles, brings together eight works — including film, prints, and sculptures — created over the last six years. Taken together, the works exemplify the artists’ exploratory approach to a range of subject matter, illuminating themes of cultural collision, mythmaking, and the often violent realities of contemporary history. While their projects explore the intersections of culture and politics with a particular and expansive focus on Vietnam, where the artists live and work in Ho Chi Minh City, it is a uniquely interdisciplinary and open approach that defines their practice.

http://www.luckmanarts.org/gallery/the-propeller-group.html

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Oct 01 2018

Truong Cong Tung’s collective Art Labor at Carnegie International, Carnegie Museum of Art, Pittsburgh, PA, USA: October 13, 2018 – March 25, 2019

Art Labor, a collective comprising artists Phan Thao Nguyen and Truong Cong Tung and curator Arlette Quynh-Tran, are collaborating with Joan Jonas to present their ongoing project Jrai Dew. Taking inspiration from the Jrai belief in the human and the cosmos, Jrai Dew critically looks at the cost of the capitalized world through mythic narratives.

The 57th edition of the Carnegie International offers visitors an abundance of encounters with the work of artists and collectives from around the world. The exhibition explores what “international” means at a moment when questions of nations, nationalism, boundaries, and border crossings are becoming ever more urgent. At the same time, the exhibition is very much of its specific place and time: Pittsburgh, 2018; local visitors will recognize the art of familiar, Pittsburgh-based artists. Bridging shifting terrains and forging surprising linkages, the exhibition invites visitors to make their own connections in the presence of art and other people.

https://2018.carnegieinternational.org/

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Sep 30 2018

Lien Truong at Sordoni Art Gallery, Wilkes University, Wilkes-Barre, PA, USA: October 23 – December 16, 2018

Loud Silence: Expressions of Activism calls on the viewer to examine their own blind-spots and understand perspectives they may have never considered through art. The works featured demonstrate the unique perils of living while a woman, while of color, while indigenous, while LGBTQIA+, and while an immigrant. For centuries, artists have used the image of the body as an exploration of their humanity and that of their subjects. This exhibition explores artists who use the human figure or body as a means for activism. The exhibition features artwork by 40 artists including Judy Chicago, Kara Walker, Faith Ringgold, Ana Mendieta, Kiki Smith, and Jenny Holzer.

https://www.wilkes.edu/arts/sordoni-art-gallery/past-exhibitions/loud-silence.aspx

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Aug 31 2018

Truong Cong Tung at Edouard Malingue Gallery, Hong Kong: September 13 – October 25, 2018

Truong Cong Tung is participating alongside Khvay Samang, Phan Thao Nguyen, Wang Zhibo and Maung Day in the group exhibition “Constructing Mythologies” at Edouard Malingue Gallery, Hong Kong.

The exhibition aims to explore the social construction of certain mythologies in Cambodia, China, Myanmar and Vietnam, in particular. These countries have deeply relied, and still do, on official narratives, developing and supporting fictional discourses in order to promote dominant State ideology and to obscure some parts of reality and history. Some mythologies thus serve specific political agendas while others are generated by collective beliefs – the global capitalist system, for instance – and grow and subsist beyond national boundaries. They can both invigorate society or limit its scope of expression. In response to these myths, art opposes its own fictional and independent discourses.

Truong Cong Tung and Khvay Samang’s works are responding to each other. They question the encounter between two opposite mythologies that cohabit in rural areas in Southeast Asia. These lands are often the territory of sacred places and spirits, the cradle for mythical and traditional beliefs transmitted by diverse ethnic minorities who have been living there for centuries in harmony with nature. Today, with the intensive exploitation of land and rapid deforestation, traditions are waning and these ancient beliefs are threatened. However, they seem to be somehow replaced by another set of beliefs based on the rhetoric of modernity and prosperity, built by the State and by private development companies.

https://edouardmalingue.com/exhibitions/constructing-mythologies

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Aug 15 2018

Trong Gia Nguyen at Jacki Headley University Art Gallery, Chico, CA, USA: August 20 – October 13, 2018

Trong Gia Nguyen’s second solo exhibition this summer at a US institution features a wide array of works that examine structures of power in their myriad forms, scrutinizing the soft foundation upon which contemporary life plays out. Dogg Days includes sculptural objects that are playful in nature yet maintain a “deep state” of subversion and enquiry.

https://universityartgallery.wordpress.com/portfolio/trong-gia-nguyen-dogg-days/

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Jul 15 2018

Tuan Andrew Nguyen reviewed in Art Asia Pacific: July 2018

Tuan Andrew Nguyen’s My Ailing Beliefs Can Cure Your Wretched Desires at 10 Chancery Lane, Hong Kong reviewed by Ophelia Lai in Art Asia Pacific.

“I’ve always looked upon the Christian rite of consuming Christ’s body and blood, taken quite literally in Catholicism, with a degree of squeamishness. The logic of eating that which you worship indicates (at least, to this heretic) that the path from pious to base is a short one. The disturbing paradoxes within humanity’s belief systems, mythologies and obsessive patterns of consumption—and the actual destruction this wrecks on our planet—are at the heart of Tuan Andrew Nguyen’s incisive solo exhibition, “My Ailing Beliefs Can Cure Your Wretched Desires,” which was executed with conviction, clarity and a hefty dose of black humor.” —  #Ophelia Lai at #ArtAsiaPacific

Read the full review here:

http://artasiapacific.com/Magazine/WebExclusives/
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Jun 13 2018

Hoang Duong Cam at Fondation François Schneider, Wattwiller, France: June 23 – September 30, 2018

Hoang Duong Cam will be showing the video Falling Cloud (2008) in The Atlas of Clouds at the Francois Schneider Foundation, alongside more than 15 other international artists.

Since ancient times, the theme of clouds has been a significant symbol in iconography, as well as a remarkably inspirational motif throughout the centuries, particularly in painting and photography. Symbolic, poetic, threatening, divine … the cloud is at the heart of artistic representations. In the 21st century it continues to inspire many visual artists, contributing to the discussion of numerous environmental and political issues.

The Atlas of the Clouds takes a playful and sensory approach, invoking the curiosity of a wide range of audiences through a geographical, sociological and philosophical journey.

More than 15 international artists are presented in the project, exhibiting a range of works including photographs, daguerreotypes, neon lights, light installations, videos, fiber sculptures, drawings… Contributing to this multi-faceted conversation, Hoang Duong Cam’s Falling Cloud addresses and challenges the issues surrounding mega-cities in Asia.

https://www.fondationfrancoisschneider.org/en/latlas-des-nuages-2/

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Jun 05 2018

The Appendix Group in ‘Asia Live! Performance from Vietnam’, various venues, Poland: June 7 – 15, 2018

Asia Live! is the Galeria Labirynt’s series presenting Asian performance art in four major cities in Poland. This year’s events are devoted to Vietnamese artists – The Appendix Group including Nguyen Huy An, Vu Duc Toan, Ngo Thanh Bac, Nguyen Van Song, along with Nguyen Phuong Linh and Tran Luong.

https://labirynt.com/en/asia-live-performans-z-wietnamu/

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