the line

Filter By Sets
all photos presented works installation views
Tran Van Thao
the line #1
2014
acrylic, oil, pencil on canvas
180 x 150 cm
Tran Van Thao
the line #2
2016
acrylic, oil, pencil on canvas
180 x 150 cm
Tran Van Thao
the line #3
2017
cotton fabric, oil, acrylic, pencil, oil stick on canvas
120 x 160
Tran Van Thao
the line #4
2017
cotton fabric, papier-mâché, oil, acrylic on canvas
140 x 100 cm
Tran Van Thao
the line #5
2017
cotton fabric and acrylic on canvas
120 x 160
Tran Van Thao
the line #6
2017
acrylic, cotton fabric on canvas
60 x 80 cm
Tran Van Thao
the line #7
2017
acrylic, cotton fabric on canvas
80 x 60 cm
Tran Van Thao
the line #8
2017
acrylic, cotton fabric on canvas
80 x 60 cm
Tran Van Thao
the line #9
2017
cotton fabric, oil, acrylic on canvas
120 x 160 cm
Tran Van Thao
the line #10
2017
cotton fabric, oil, acrylic on canvas
120 x 160 cm
Tran Van Thao
the line #11
2017
acrylic, cotton fabric on canvas
60 x 80 cm
Tran Van Thao
the line #12
2017
cotton fabric, oil, acrylic on canvas
140 x 100 cm
Tran Van Thao
the line #13
2017
acrylic, oil, pencil on canvas
120 x 160 cm each panel (diptych)
Tran Van Thao
the line #14
2017
gauze, oil, acrylic on canvas
100 x 140 cm
Tran Van Thao
the line #15
2017
gauze, oil, acrylic on canvas
100 x 140 cm
Tran Van Thao
the line #16
2017
cotton fabric, oil, acrylic, pencil, oil pastel on canvas
120 x 160 cm

SYNOPSIS

Galerie Quynh is thrilled to announce the opening of its new gallery space in the heart of Dakao, District 1, a lively area that reflects the dynamic pulse of the city. Following the closure of its downtown location six months ago, Galerie Quynh could not be more delighted to inaugurate its ambitious 600 sqm gallery with ‘the line’ – the first solo exhibition in four years of Vietnam’s foremost abstract painter Tran Van Thao.

‘the line’ finds Tran in a contemplative mood. While previous bodies of work took inspiration from the artist’s surrounding environments and the little joys found in everyday life, his new paintings –stylistically sparser and utilizing a more muted palette yet larger in thematic scope – are somber ponderings on life’s passages and trajectories. There is an airiness about these new paintings, yet a marked tension as well conveying an equilibrium. Straight lines are the key element of the series, forming linear shapes of markers or arrows – perhaps needles of compasses. In contrast with the languid circles found in Tran’s other recent works, the lines suggest an almost urgent sense of direction and movement. In a similar manner, the canvas surfaces, textured with a plethora of material physicality and recurring motifs (lined, wrinkled, treated, imprinted with sprawling congregations of paint, oil, acrylic, graphite, and even swaths of textile appearing windswept over raining skies) seem to represent the vast expanse that is a lifetime – overwhelming, serendipitous, changing from one moment to the next, unforeseeable. Through this, one traverses, through all weather systems and fantastic voyages, led by one’s own compass, though not necessarily knowing where it might lead.

Born in 1961 in Saigon, Tran Van Thao belongs to an influential group of painters that rose to prominence in the 90s following the introduction of the 1986 Doi Moi economic reforms. Part of the seminal Group of 10 artists that served as a catalyst for the Vietnamese government’s recognition of abstraction as a legitimate genre of art, Tran was one of the group’s most prominent members. Tran continues to inspire new generations of artists in Vietnam to challenge the accepted (official) norms of art in the country. Tran has participated in numerous exhibitions around the world. His works have been shown in institutions such as the Singapore National Art Museum, Singapore; Fujita Vente Art Museum, Tokyo, Japan; Pusan Metropolitan Museum, Korea; National Art Gallery, Kuala Lumpur, Malaysia; Museo Biblioteca Archivio, Bassano del Grappa, Italy; and Centre Wallonie-Bruxelles, Paris, France. Tran has received a number of awards and prizes including the Starr Foundation Fellowship from Asian Cultural Council where he spent four months as an artist-in-residence in New York City. Tran lives and works in Ho Chi Minh City.