Thierry Bernard-Gotteland

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Untitled (Capital Punishment)
2017
acrylic and charcoal on vinyl
108 x 278 cm
Untitled (Everyone, Everything, Everywhere, Ends)
2017
black leather jacket on cymbal, microphone stand
130 x 120 cm overall dimensions
Untitled (Inverted Equilateral Parental Advisory)
2017
21 engraved wooden veneers
150 x 165 cm overall dimensions
Untitled (Ghost Tracks)
2017
16 black light neon tubes, 19 neon sockets
dimensions variable
Untitled (Skin, Flesh, Blood, Bone & Dust)
2017
13 printed cotton T-shirts, staples
310 x 290 cm overall dimensions
Les 3 Gras
2014
acrylic on canvas
164 cm x 176.5 cm
Untitled (Pit Stop)
2011
enamel on canvas
120 x 120 cm
Untitled (EP version ACDC / LP version AntiChristDevilsChild)
2017
Singer sewing machine on wooden table, microphone on stand, guitar amplifier
105 x 150 cm overall dimensions
Untitled (A Bureaucratic Desire For Revenge)
2011
enamel on canvas, cables, 40W light bulbs, guitar amplifier and 400W cabinet
dimensions variable
Untitled (The Soundless Dawn Came Alive as Cities Began to Mark the Horizon)
2011
black plexiglass, tree branch, black electrical tape, cables, 40W light bulbs, broken neon lights
dimensions variable
Untitled (Hook Meat Sodomy)
2011
bed with plastic upholstery and frame, stainless steel chains
dimensions variable
Untitled (Pure Fucking Armageddon)
2011
stage spotlights, colored gel, smoke machine
dimensions variable
Untitled (Hex or Printing in the Infernal Sentence Method)
2011
MDF panels, enamel, electrical tape
244 x 122 cm each panel
Untitled (Götterdämmerung Chamber Variation Tuned C.A.G.E.D.)
2011
electric guitar, black electrical tape, cable, 40W light bulb, standing fans
dimensions variable

BIOGRAPHY

Thierry Bernard-Gotteland draws on the mythologies of heavy metal music and culture to create works that foreground the power of darker narratives in which social roles, cultural models and moral values are unflinchingly examined. A prolific sound and performance artist, Bernard-Gotteland employs materials such as text, black duct tape, viscous black enamel, and stage equipment in his works, which lend the sense of a live concert or private fantasy, each equally sensual and forbidden.

Bernard-Gotteland was born in 1974 in Chambéry, France. After receiving his Bachelor of Graphic Design, he graduated with an MFA from the School of Fine Art in Grenoble and a post-Diploma at Le Fresnoy, National Studio of Contemporary Art in Tourcoing where he worked with acclaimed artist Antoni Muntadas. Bernard-Gotteland has exhibited in North America, Europe and Asia, where he now resides. Recent regional exhibitions include ‘A Physical Obedience of A Certain Geometry [Nihil Sublime]‘, Galerie Quynh, Ho Chi Minh City (2011); ‘To Ho Chi Minh City with Love: A Social Sculpture’, a project by Phong Bui, Sàn Art, Ho Chi Minh City (2011); ‘Mise-en-scene’, Galerie Quynh (2011); and the sound performance ‘Untitled [DelayedDustScreens]’ at The Cage, labo Wonderful, Ho Chi Minh City. Bernard-Gotteland is also a lecturer in the Design department at RMIT University in Ho Chi Minh City.

PUBLICATIONS